The Darkness in St. Louis is one of the biggest, scariest, and most elaborate haunted attraction in the world.
Mediarific produces six triggerable CGI animations for the haunt. Each animation features a buffer (a relatively quiet animation with subtle motion, for instance a window with a burning building in the background), followed by a trigger (A sudden scare, for example, a demoness leaps up and breaks the window).
Each animation was installed with a physical, visceral effect timed to match the animation. During the scare, real water, air or CO2 fog is blasted at the guests.
One of the animations, the Clown, was produced in Chromadepth - for a 3D appearance with the use of Chromadepth glasses.
Jeff Cappleman supervised and art directed the sequences, with Emerson Frota leading the team of 3D artists.
Mediarific produces six triggerable CGI animations for the haunt. Each animation features a buffer (a relatively quiet animation with subtle motion, for instance a window with a burning building in the background), followed by a trigger (A sudden scare, for example, a demoness leaps up and breaks the window).
Each animation was installed with a physical, visceral effect timed to match the animation. During the scare, real water, air or CO2 fog is blasted at the guests.
One of the animations, the Clown, was produced in Chromadepth - for a 3D appearance with the use of Chromadepth glasses.
Jeff Cappleman supervised and art directed the sequences, with Emerson Frota leading the team of 3D artists.
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